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Jane Muir's ceramics are filled with an eccentric humour. They are made with a sensitive human touch that speaks to the viewer, who at once recognises something, or someone in each one. The gentle colours of her glazes allow the rough texture of the clay to shine through, lending a soft, chalky quality to her work. The sculptures themselves are whimsical and border on the absurd or surreal. Birds perch on heads, flowers bloom from shoulders. Other, smaller figures are collected together in boxes, smiling serenely. Her subject matter ranges from large scale figures and animals to tiny birds. Her work offers an uncomplicated and idiosyncratic view of the world.
The Little Ladies and Little Men series began life as a way for Jane to test colours out for larger pieces. But, like lots of experiments in the studio, they soon began to become pieces of work in their own right. Jane is experimental in her approach to colour mixing and this is reflected in the expressive feel of each piece which often includes numerous textured surfaces and glazes.
Jane Muir graduated from the Royal College of Art in 1992, and has been a full time ceramicist since then. Her work has been shown throughout Europe, the United States and Japan, as well as throughout the UK. She lives and works from her studio in Peckham, South London. Jane Muir is one of the long standing favourites by New Ashgate's visitors and clients.
66 x 22 x 10 cms
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Jane Muir studied ceramics at Central St Martins School of Art and the Royal College of Art. Since leaving the RCA in 1992 she has exhibited widely, notably in Ceramic Contemporaries, V&A, and a solo show at the Molesey Gallery, Surrey. In 1997 she was also awarded a Crafts Council Grant helping her to set up her present studio.
Jane Muir specialises in idiosyncratic hand painted figures representing a witty and uncluttered observation of the world. Figures that stand alone or placed in an architectural landscape are hand modelled, allowing her the freedom to sketch with clay and develop ideas during the making process. Jane's figures are not about specific individuals but are a personification of the stereotype or archetypal character.
Jane's work has been exhibited widely throughout the UK, Europe, America and Japan. Jane's inspiration comes from various sources and has remained fairly consistent throughout her career, including modern masters such as Peter Blake, Eduardo Paolozzi and Elizabeth Frink and some more traditional crafts such as the work of the Staffordshire Potters.