New Ashgate Gallery champions the best of contemporary art and craft providing an unparalleled resource in Farnham, Surrey and beyond
Shopping cart0 itemsCheckout
Our friendly and knowledgeable staff is happy to help. 01252 713208 | email@example.com
Please note that all orders will be posted after the lockdown has ended.
17.5 x 15 x 7.5 cms
Spread the cost of buying with a 0% loan. This piece can be yours for just 10 x £32.00 a month over ten months.
Just add to your basket, fill in your details and choose "Send Order" instead of "Proceed to Payment" and we will be in touch to arrange the details.
Glass is extraordinarily seductive, explains Peter Layton. Every piece is an adventure and you never know exactly what you have created until you open the kiln and see how a piece has turned out. I love that moment of surprise.
My pieces appeal to a wide audience and everyone from Elton John to the Duchess of Kent have bought my work. It is designed to be lived with and enjoyed as the light changes, not just viewed in a museum.
Peter Layton is one of the world's most widely respected glass artists and he has done more to promote glassmaking as an art form than anyone else in Europe. He has influenced, encouraged and nurtured several of this country's leading glassmakers and has inspired many more internationally. Peter remains extremely active and is regarded as the 'grand old man of glass'.
Peter Layton originally trained in ceramics, but the discovery of hot glass was the beginning of a love affair. He was inspired by the immediacy of this engaging yet elusive medium, and as much by the demanding process as the magical qualities of the material. Each piece represents an adventure and a challenge to control form and colour, while allowing the fluidity of the glass to contribute its own qualities and characteristics.
Self-taught as a glassmaker, Peter Layton's work is organic and tactile, striving to achieve a form of controlled asymmetry. His series evolve by 'sketching on the blowing iron' in the belief that an understanding of the work is best achieved through making. An inveterate beachcomber, his work is often drawn from some aspect of nature or something observed while travelling.