New Ashgate Gallery champions the best of contemporary art and craft providing an unparalleled resource in Farnham, Surrey and beyond
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Private view: 26 April 2019, 6-8pm - all welcome
The exhibition brings nine award-winning artists to Farnham: all of them are internationally accomplished and recognised for excellence and talent through a prestigious art prize.
The exhibition presents painting by Peter Archer (Lynn Painter-Stainers Prize), Gareth Edwards (David Simon Contemporary Art Prize / the Platform Prize / National Maritime Art Prize), Martin Greenland (John Moores Painting Prize), Charlotte Harris (BP Portrait Award) and Michael Porter (Derek Balmer Painting Prize / European Prize for Painting, Belgium).
Print by John Hoyland (John Moores), Sir Terry Frost (John Moores), Sandra Blow (Guggenheim International Award) and Bruce McLean (John Moores).
It reflects on the Gallery's beginnings 60 years ago: New Ashgate was the first provincial gallery with nationally and internationally known artists such as Anthony Caro, Elizabeth Frink, Barbara Hepworth, Henry Moore, Pablo Picasso and Graham Sutherland.
This will be an exceptional opportunity to appreciate and collect work by these highly accomplished stars of the art world outside London and close to home.
90 x 80 cms
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Bruce McLean is one of the major figures of contemporary British Art. Born in 1944 he studied at Glasgow School of Art and at St. Martin's in London, where he was taught by Sir Anthony Caro, Phillip King, Bill Tucker, Isaac Witkin and Peter Atkins. The course was rigourous and encouraged a questioning enquiry into the nature of sculpture past, present and future. McLean responded by making sculpture out of rubbish, water and other impermanent materials, and by using his own body to make action sculptures- and impersonate sculptures by others. Also produced were photographic works in which he often appeared. McLean lead the development of Conceptual art in Britain in the 1960s, often working outside in the urban and suburban landscape. Some of his works brilliantly sent up the solemnity of the art world and mocked established art forms. In 1972 he was given a one day retrospective at the Tate Gallery at the age of 27 (King for a Day).
McLean's work is in a permanent state of movement and invention; from the late 1960s his range of media has included painting, printmaking, sculpture, film, photography drawing and live work; in all of which humour, scepticism and wit are central. His work seeks to challenge the concept of 'sculpture' and indeed of 'art' by creating work that questions establishment thinking, materials and methods of display.
After St. Martin's McLean went on to teach at numerous art schools including The Slade School of Fine Art, where he became Head of Graduate Painting (2002-2010). He has obtained international recognition for his paintings and prints, work with film, theatre and books. McLean's bold and confident approach to printmaking proved influential to his contemporaries and also to a generation of younger artists. The making of prints and posters has been a central aspect of his work and continues to inform his sculptural investigations.
His work is in private and public collections world-wide including the Tate Gallery, Arts Council of Great Britain, Victoria & Albert Museum, the National Museum of Modern Art, Edinburgh and the British Council. He has had numerous one man shows in Europe, North America, and Japan. McLean was awarded the John Moores Painting Prize in 1985.
Now approaching his seventh decade McLean's energy, vision and work ethic remain undimmed. 2014 saw two major exhibitions exploring his work: 'Bruce McLean: Another Condition of Sculpture' at Leeds Art Gallery, and 'Bruce McLean: Sculpture, Painting, Photography, Film' at Firstsite in Colchester, both shows included works spanning five decades. McLean's work featured in the Royal Scottish Academy's annual exhibition in 2016 and can currently be seen in Tate's 'Conceptual Art in Britain 1964-1979' exhibition. He lives and works in west London.