D.0.B: 04/04/1972
Education:
90 - 92 Foundation in General Art & Design, Suffolk College of H. & F.E.
lpswich, Suffolk
92 - 94 HND Jewellery & Silversmithing, Surrey Institute of Art & Design,
Epsom, Surrey
94 - 95 Apprenticeship with Roy Kelly, Goldsmith's jeweller, Ashley
Centre, Epsom
Exhibitions:
New Designers' The Business Design Centre, London - 1994
Grace Barrand Design Centre, Nutfield, Surrey, Christmas - 2000 & 2001
The Bank Gallery, Chobham, Surrey
Aurum, Hampstead Heath, London
Pam Schomberg, Colchester
Collections of Harpendon, Herts
New Ashgate Gallery, Farnham. Rarefind exhibitions, 2003, 2004,2005 & 2006
International Jewellery London, 2005 & 2006
British Craft Trade Fair, Harrogate, April 2007
Commissions:
Shrieval brooch to be worn on official occasions by the Sheriff of Norwich. Commissioned by Paul and Hester King (then Sheriff and his Lady) and presented to the City. 2005.
Silver centre plaque as part of a presentation plate to be used as an annual award. Commissioned by Brenda Arthur, Sheriff 2005-2006.2006
Galleries:
Argenta, Fulham Road, London
Alexander Gallery, Brighton
Fire and Iron Gallery, Leatherhead, Surrey
Gill Wing Jewellery, lslington, London
Cecilia Colman, St Johns' Wood, London
The Workshop, Lewes, East Sussex
The Grapevine Gallery, Norwich
Nude Contemporary Jewellery, Mayfair, London
Oriel Davies Gallery, Newtown, Powys
Craftco, Southwold, Suffolk
Jessica Muir Gallery, Long Melford, Suffolk
The Silver Studio, Bath
Pebbles Yard Gallery, St David, Wales
Bircham Gallery, Holt, Norfolk
Artist Statement
Most of Hazel's inspiration comes from the sea, and the myriad of shapes and forms of life it supports. Her love for the sea developed from her childhood when she spent much of her free time sailing round the coast of East Anglia with her family. A year travelling throughout Australia and Asia allowed her an opportunity to explore scuba diving. She found getting up close to sea life an incredible experience.
The patterns used in her jewellery are taken from her sketches. These may be delicate, meditative patterns in the sand left by the receding tide, representing the sea as calming, or the bubbles left by playful surf, glistening like gems in the sun, or wild stormy patterns. The sea can be seen as tranquil, fun or even wild.
She uses hand texturing and hand weaving techniques to create her jewellery, which makes all the pieces slightly different from each other. She also sets semi-precious stones on to the pieces to emphasise the patterns that she uses. She does not use any mass production techniques.
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